Well, momma and baby are both still doing fine. Everything thus far is progressing smoothly and our son is a remarkably unfussy child. He generally seems content with life. However, still in the hospital and still getting used to the whole parenting thing, so: I have a scene challenge for you and you all should know the rules, but just in case: I provide you with specific rules for how to write a particular scene. Try to keep your scene under five hundred words, and try to keep it in the same tone as the introduction. If I give a line that is very dark and depressing, then I don’t want to see a scene about a drunken monkey in a tutu…it just doesn’t fit. If I do give you a line about a drunken monkey in a tutu, then you should probably try for a funny scene.
Your Challenge: I want you to write a scene using sentences of six words or less. The goal of this exercise is to develop a comfort with short, staccato bursts that get straight to the point. This isn’t a style that everyone uses, though some rather well known authors have, but it can be as helpful to have in your repertoire as the long, florid style that we practice using the 150 word sentence challenges. So, your scene should be at least 300 words, preferably somewhat longer, and it should be entirely of sentences that are six words or less. Here’s you’re prompt: “The head just popped out…”
Well, Alayna’s due date is today. She really wants the baby to come (as do I), but I suppose that he will come when he comes. Until then (or now…depending) we’ll have to be patient and do the best we can to take care of him where he is. Aside from that, I have a few of my books for next semester finished already, four (and a halfish) left to go of the one’s that I already have. I’ll start into a couple of new ones tomorrow (I’m not even going to try to get back into O’Donovan until after I’m off the sleep study–I will say that this is the first book that I’ve had to read multiple times in order to make sense of, which I take to be a good thing). Once the baby comes study will become that much more interesting. Anyway, I’ve got a scene challenge for you. If you can’t remember the rules, I’ll provide them: I provide you with specific rules for how to write a particular scene. Try to keep your scene under five hundred words, and try to keep it in the same tone as the introduction. If I give a line that is very dark and depressing, then I don’t want to see a scene about a drunken monkey in a tutu…it just doesn’t fit. If I do give you a line about a drunken monkey in a tutu, then you should probably try for a funny scene.
Your Challenge: I want you to write an intensely expectant scene. This should be a scene that not only makes me feel like your characters are waiting for something, but a scene that actually makes me feel as though something exciting/terrible/surprising/tumultuous/etc is about to happen. You should focus on developing a scene that builds the sense of expectation and tension in the reader, but not necessarily in a bad way (remember, I’m expecting a baby…that is intensely expectant). This is going to be similar to a rewriting challenge, and thus I want you to find something that evokes this kind of feeling that can inspire you. However, instead of simply rewriting the scene, I want you to write a scene of your own that evokes the same feeling. Your own voice, your own characters, your own setting. Everything should be your own. This isn’t a simple rewrite for practice. I want you to write a scene that reflects the same mood, evokes the same emotions, and handles plot in a similar way, but that is still completely your own work.
Have you even noticed that women get something of a short shrift in the sci-fi/fantasy world? Whether it is in comic books, novels, movies, etc women are often depicted as oversexualized objects or playthings or as overpowered and interminably alone (because no one can match them) or as overdependent and incapable of any significant action of their own. Now, this is not to say that all science fiction and fantasy depict women in these ways, and there are some very good female characters in science fiction/fantasy works, but a lot of it does depict women in these ways. There have been many theories about why this is–the most popular is generally that so much of the science fiction/fantasy world is dominated by men, but the fact that female authors generally portray female characters in the same ways seems to discount this. I think that it is more likely that the American view of women as a whole simply varies between unhealthy extremes of dependence, use, and conquest rather than seeing women significantly as whole people who struggle, need, provide, and triumph. However, this is just my theory so, take or leave it as you will. Anyway, let’s get into the exercise. You know the rules: I give you a picture and you give me a story of 1000 words or less (at least if you want to post it here) that explains what is happening in the picture. Remember the lesson from last time, stay true to the picture. Let the audience know what is happening in the background of the picture without actually altering any of the picture’s own details. Enjoy (and try not to fall into the above tropes):
So, Alayna and I are exhausted at the moment. I’m actually sleeping better (meaning that the therapy is working), but I’m not sleeping very long each night. Alayna is at that point where the baby is dropping (or has dropped… or is about to drop… this is our first time doing this) and absolutely everything is uncomfortable, including sleeping… which means that she doesn’t much. Exhaustion makes everyday tasks, like work, reading, or helping a friend, much more difficult and it especially makes stress more difficult to handle. It makes you crankier, more easily frustrated, and less able to take a joke. It also makes it that much more difficult to do something that you just don’t really feel like doing. I bring this up because it’s your topic today. I want you to write a story about exhaustion in a stress-filled situation. You know the rules. Take your subject and run with it. Write me a story of 1000 words or less and stay on topic. As before, if it’s in any way applicable, you should use this to try to develop your world a little more :).
Your Challenge: Write me a story about exhaustion in a stress filled situation. This could be a story about exhaustion makes stress more difficult to deal with or how it makes your responses to stress less likely to be appropriate. You could focus on the emotional, physical, or intellectual challenges of exhaustion and the impact that they can have on stress responses. In some way though, your story needs to have a strong focus on exhaustion in a stress filled situation.
Well, very slowly reading is getting done and I am getting used to sleeping five hours a night. However, if you’ve ever done something like this, it isn’t a lot of fun, and it takes some getting used to, so I’m afraid I don’t have a lot left for the blog today. Anyway, I have a plot challenge for you today. I’m going to give you a picture and I want you to develop a part of your world based on what you see. It should be a setting that is believable in your world, and that has potential for stories in it. Here’s you’re picture:
Well, my diet is over and I am officially in the maintenance phase of the program… during which I’m hoping to lose another 5-10 pounds or so :P. All told, at the moment I’ve lost somewhere around 32-33 pounds. I have another 15-25 that I would like to lose, but given the sheer amount of stress that Alayna and I are under at the moment everyone agreed that it might be best if counting calories wasn’t a constant worry. So, all in all I’m pretty happy. My goal is to keep myself under 200 lbs for the next 8 months or so and then, once the baby is born, we’ve moved, settled into our new place, Alayna has a job, I’m sleeping normally, and I’m beginning to get a handle on the Ph.D. program, then hopefully I can go back on a more intensive weightloss plan and lose the rest that I was hoping to lose–not exactly the norm for people in a Ph.D. program (usually they gain weight), but hopefully it will be possible. Anyway, I have a scene challenge for you and you all should know the rules, but just in case: I provide you with specific rules for how to write a particular scene. Try to keep your scene under five hundred words, and try to keep it in the same tone as the introduction. If I give a line that is very dark and depressing, then I don’t want to see a scene about a drunken monkey in a tutu…it just doesn’t fit. If I do give you a line about a drunken monkey in a tutu, then you should probably try for a funny scene.
Your challenge: Choose one of your favorite scenes from a novel. After reading the scene a couple of times, rewrite it in your own style and voice. The characters and basic elements of the scene should remain the same, but the way it is written should reflect your voice and style of writing, rather than the original author’s. This can be very challenging, so don’t be too disappointed if you need a few tries to go it well.
Sometimes, in the words of Forrest Gump (or more accurately his momma), ‘life is like a box of chocolates’. Of course, sometimes it’s like rooting around in a dumpster, and sometimes its like a work cubicle: small, oppressive, and boring. You never know what you’re going to get, and you never know how you’re going to react to it. Sometimes, people can have the worst reactions to things that should make them ecstatic, and sometimes people will react to horrible news with amazing aplomb. The key in the midst of all of this is remembering that we live in a real world that is not defined by our feelings, desires, opinions, or convictions. The concept of reality is one that, I fear, the Western world is slowly losing any kind of grip on. It is one of the most important concepts in life because, in the words of a Psychology professor I once had, ‘Reality always wins.’ Time spent delving into fantasy can be wonderful. It can be a time to decompress, relax, rejuvenate both heart and mind, and gain new perspective. However, our fantasy and fiction should also tell us something true about reality. This isn’t the same as saying that we need ‘realistic’ or ‘gritty’ fantasy. C. S. Lewis’ fantasies are far from gritty, but they do tell us something true about the real world. However, it does mean that our fantasy needs to be rooted in reality and that it needs to both offer a temporary escape and lead us back to reality in the end. Too many modern fantasies attempt to replace reality, and this endeavor will never end well. Anyway, I have a plot challenge for you today. I’m going to give you a picture and I want you to develop a part of your world based on what you see. It should be a setting that is believable in your world, and that has potential for stories in it. Here’s you’re picture:
So, Fyodor Dostoyevsky argued that if there is no God then anything is permissible. Philosophers such as Friedrich Nietszche and Jean-Paul Sartre generally agree with his general premise, though, unlike Dostoyevsky (who concluded from this that there must be a God), they thus conclude that anything is permissible if one believes that it is right or necessary. However, other thinkers, such as Aristotle, argued that there is a moral reality to which man is beholden, regardless of whether any god exists, and some have argued that any god or gods are also beholden to this moral reality. David Hume argued that moral principles could not be drawn from observations of the natural world (i.e. an ought cannot be drawn from an is–also known as the is/ought problem or the naturalistic fallacy), but also concluded that while morality is thus subjective, it can still be universal because all men are driven by the same subjective passions–even if they do resist or bury them.
So, I’ve had you all write on the idea of moral realism, both theistic and philosophical, before. However, in today’s challenge I want you to imagine that Nietszche and Sartre are correct. There is no God, and because there is no God absolutely anything is (at least potentially) permissible. What would such a world look like? Why?
As always, answer the challenge in a story of 1000 words.
Well, it’s day two of only sleeping 5 hours a night and I seem to be doing alright generally. I can’t say that I’m doing great with it, but I’m surviving and I can still get stuff don, which is good. I even got most of my reading for the day done, though my ability to keep a sharp focus for long periods is less than it would be on full sleep, but still a lot more than if I wasn’t sleeping. Anyway, today I have a plot challenge for you. This one is new, but its related to our challenge from last week. Last week I asked you to develop a metanarrative for a story: the broad, overarching details and plot. One of the major things I asked you to do is figure out what the beginning, the middle, and the end of the story are. This week, I want you to narrow your focus. I want you to choose two of those three points (i.e. beginning and middle or middle and end–not beginning and end) and figure out how the story gets from Point A to Point B. You want to treat this in the same way that you did the metanarrative–just narrower. So, if you choose the beginning and middle, then the beginning is still the beginning, but the middle is the new end of this portion of the narrative, and you need a new middle or middles. Some questions to consider:
What settings are significant for this section of the story? Does it all happen in one place or are multiple settings important? Perhaps characters are traveling?
What needs to change to move the story along? Perhaps a house burns down? A civil war begins? Someone gets fired? Perhaps multiple things need to happen.
Who are the important characters for this part of the story? What new minor supporting characters are necessary? How much of a backstory do they need to have? Consider that none of your characters should simply be flat. Even if a character is just a bartender who appears in two scenes, you should have some idea of who he/she is and what his/her life story is.
How do you major characters need to change between the Point A and Point B and what is going to motivate this change? If you want a masterful example of masterful character development over the course of a novel read Glen Cook’s Shadow’s Linger and pay attention to the character Marron Shed.
What needs to happen to set the stage for the next part of the story? Remember that, once you get down under the metanarrative you’re dealing with parts of an interwoven whole. So, what connects this part of your story to the parts that come before and after it? What needs to happen in this part that either ends story-lines from the last part, or opens story-lines for the next part?
Well, the Capitals lost tonight, which has made Alayna somewhat discontent. However, it was an excellent game that went into overtime, so they fought it hard. That also left us getting home very late and fairly exhausted. However, no big problem there as I’m starting a sleep program for the treatment of insomnia that only allows me to sleep for five hours a night. Woohoo… That being said, I have a scene challenge for you. You all should know the rules, but just in case: I provide you with specific rules for how to write a particular scene. Try to keep your scene under five hundred words, and try to keep it in the same tone as the introduction. If I give a line that is very dark and depressing, then I don’t want to see a scene about a drunken monkey in a tutu…it just doesn’t fit. If I do give you a line about a drunken monkey in a tutu, then you should probably try for a funny scene.
Your Challenge: write me a scene of at least 300 and no more than 1500 words that effectively expresses your take on some current event. This could be a major event (like the US capturing Iranian weapons shipments or North Korea test firing Nukes), or it could be a minor event (like the opening of a new library in your hometown), and what you choose is up to you. This is not to be an essay about your position, nor is it to be a character simply presenting your position in monologue. I want your scene to be vivid, dynamic, and meaningful, but also to give the reader a clear sense of your opinion on the event/issue about which you chose to write. Express your opinion through the way you set your scene, the setting that you choose, the situation in which your character’s find themselves, and the way they interact with one another both verbally and, more importantly, non-verbally. Have fun!