My first post for this blog was about parody. I explained how parodies, even though they’re by nature lighthearted and somewhat silly, can still be well-done stories with at least some serious meaning. Today, I’m revisiting the subject because I recently worked on a parody. About a year ago during the post-Thanksgiving/pre-Christmas holiday season, I wrote a narrative poem that was nothing less than a blatant rip-off of Dr. Seuss‘s “How the Grinch Stole Christmas,” and this year, I converted that poem into a quirky, tongue-in-cheek, animated short film. To get some context for this post, if you want to read what I originally wrote about parody, you can find that here, and if you want to watch the humorous and heartwarming video that is “How the Scrinch Spent Thanksgiving,” you can do so here. (The video is probably more fun.)
I’ll try to run through a bit of what I did with the narrative aspects of the video and how that applies to parodies overall. Maybe it’ll help you make cheesy but lovable holiday stories of your own, or at least to expand your writing horizons in some useful way.
Parodies play around with common tropes and conventions of fiction.
The point of parody and satire is usually to exaggerate and poke fun at things from existing fiction, whether it focuses on one individual work or author, or an entire genre or style. Obviously, my video of “The Scrinch” takes many of its cues from “The Grinch.” But it also borrows a few elements from A Christmas Carol, Elf, and just about every Lifetime movie in the history of Christmas in which a disgruntled, jaded, or heartless adult gradually comes to learn the true meaning of the holidays. Heck, if you take out the Christmas part and merely focus on a grumpy older person being softened up a bit by an enthusiastic child, then you could also add Despicable Me, Up, and even more Lifetime movies to the list of that trope’s appearances.
In a parody like “The Scrinch,” I wanted to incorporate that trope somewhat, but I also wanted to subvert it so as to avoid too much sappiness and mushy feelings. That’s why, instead of the Scrinch’s heart growing three sizes, I made it his stomach. I mean, let’s be honest–which one of those is really more likely to grow around the holiday season?
Parodies are funny.
This may seem obvious, but parodies are usually supposed to be fun and funny. People don’t really expect them to be brilliant, profound, original works of classic, sophisticated literature, so the reader and the author both have some leeway to let loose and have fun a bit. And they can use at least a few different types of humor. Parodies inherently rely on referential humor, which isn’t all that original, but at least it works; audiences like it when you can say, “Hey, I’m making fun of this thing you know about,” or even just, “Hey, I’m giving a slight nod to this thing you know about.”
But parodies also have a lot of room for odd juxtaposition, for combining something funny with something that is usually serious. For example, “The Scrinch” uses somewhat elevated language, or at least a strict pattern of rhyme. When someone is reading rhyming poetry in a formal tone, the listener doesn’t expect jokes to come at them; they expect something warm and fuzzy about the holidays, or something old-fashioned from Dr. Seuss’s time, or maybe even Shakespeare’s. But instead, in “The Scrinch,” they get modernized and familiar terms like “ramen,” “Doctor Who,” and “Breaking Bad.” They also get quirky, uncommon words like “isthmus” to rhyme with “Christmas.” And, let’s face it, “isthmus” is a funny word no matter how you spin it.
If you have any skill or interest in the art or animation field, and you’re able to add visuals to your story like I did, then go for it! Silly, simple visuals can serve to increase the humor of a parody. That’s totally the only reason I went with MS Paint and Windows Movie Maker for this project, and it’s not at all because I have no skill with or access to any actual moviemaking technology whatsoever.
Parodies can still have some meaning and significance.
Just because parodies are fun, lighthearted, and cheesy doesn’t mean that they’re completely devoid of significance, or that you can just throw random elements together to make them work. No, parodies still have to adhere to certain conventions of genre and storytelling (even if they do so in an exaggerated way), and they still have to be well-made for their intended purpose. In many cases, satire and humor can be used to deliver a serious or relevant message, subtly criticizing or pointing out the flaws in a work, a genre, or even perhaps a real-life social institution.
I don’t claim that “The Scrinch” contains much subtle, profound social commentary on the nuances of real life. But it does contain a message about breaking out of your own priorities and appreciating family, friends, and fellowship during the holidays. Yes, it’s sappy and unoriginal, but it’s still a true and important message. As I mentioned earlier, I tried not to make that the main focus or spend too much time on super-serious sentiment, but hey, it’s in there somewhere.
Also, the Scrinch here seems to be a disgruntled, introverted twentysomething bachelor grad student, in a story that, coincidentally, was also written by a disgruntled, introverted twentysomething bachelor grad student. If I didn’t know better, then I might even suggest that the story contains perhaps the slightest hint of an autobiographical quality about the real life situations of its author. Good thing I know better, right?
Overall, parodies such as “The Scrinch” are a fun and enjoyable way to tell a story, but they, like any story, can still contain some depth and meaning as well. If you’re not sure what to write about this holiday season, try a parody (whether Christmas-y or not) and be sure, first and foremost, to have fun with it. (Then, maybe, if the mood strikes you, you can make a video of it and become the next YouTube sensation, but hey, one step at a time.)
Merry Christmas and happy writing, everyone.