Hello! I’m Sam, and this is my first post for The Art of Writing. I’ve loved writing in many forms (stories, poems, or whatever I’m in the mood for) ever since I was little, and I still try to practice it pretty regularly to this day. When I’m not writing, I’m taking classes toward an M.A. in English, reading a whole lot, and secretly fighting crime in dark alleyways at night (but don’t tell anyone). If you like what you see here and want to read more from me, you can find my personal blog and more info here.
But now that I’ve introduced myself, I’m afraid I have a confession to make.
I’ve got to admit, I haven’t actually been writing much fiction lately.
It’s not because I don’t love writing fiction. I truly do enjoy it when I get to do it. I have several story ideas and novels in my head that I hope to finish writing and/or editing one day. But, for a variety of reasons, it seems that I’ve gravitated away from fiction in recent years to focus more on articles, blog posts, and other forms of shorter creative non-fiction (such as the one you’re reading right now). So when I was asked to contribute to a blog about writing fiction, I didn’t really know at first what I would write about.
“I don’t have much recent experience to draw from,” I said to myself. “I really haven’t been writing much fiction lately except for…except…”
And then I remembered the one fictional work that I have been working on sporadically: a parody mash-up co-written with two friends, in which we basically decided to see just how many different fandoms and references we could combine and simultaneously poke fun at in the span of one epic tale (or trilogy). It’s a quirky, over-the-top, very tongue-in-cheek amalgamation of Star Wars, The Lord of the Rings, The Chronicles of Narnia, Super Mario Bros., Batman, Doctor Who, classic literature, and much, much more.
Now, being a blatant rip-off of quite a few other works, this story of course is not what most of us would call “serious” fiction, and it’s hardly “literary” by anyone’s standards. This supposed subpar quality is inherent to works of parody, or at least to people’s common connotations about them. But that’s no reason for either readers or authors to completely write off parodies as insignificant or juvenile. After all, any story, even a parody, still has to be good by a certain standard of judgment; it still has to conform more or less to certain criteria, adhere to common conventions of fiction, and accomplish what it sets out to do as a story.
For someone who hopes to write more serious or original fiction, writing a parody can be a good way to gain some easy practice. Here are a few reasons why:
- Tropes and conventions are exaggerated. Parody is a good way to explore and play with common tropes or conventions in fiction, since they’re intentionally exaggerated and ridiculed in parody. In fact, it’s not uncommon for some parodies to include metahumor and directly announce the plot points they’re following or the sort of work they’re poking fun at. If you’re writing a parody, you don’t have to be subtle; you can go over the top and be painfully obvious with plot points and character development. If you’re in the experimental stage of writing fiction, this overt use of story components may help you to more concretely map out the narrative elements that make up a legitimately good story.
- Parodies are fun, not serious. As mentioned above, nobody expects parodies to be brilliant, profound works of fiction that will endure in the canon of literature for generations. They’re inherently meant to be lighthearted and fun in tone and by nature do not take themselves as seriously as other works might. These qualities take a lot of pressure off of you as the writer! You don’t have to come up with something original or groundbreaking when you’re writing a parody; you can rearrange existing elements of a story, or combine those elements with your own ideas that may or may not be fully fleshed out yet. Overall, you can let loose and relax just a bit. You can write something just to write, or to get into the habit of writing, without caring overmuch about how good or literary it is. You have the freedom to try different things out and see what works and what doesn’t. You can just play around and have fun!
Parodies still carry some weight. Even though parodies are for fun and not “serious,” don’t make the mistake of thinking that they’re less important or worthwhile pieces of fiction, or that you can make a good one with just a halfhearted effort. An enjoyable parody isn’t just haphazard elements strewn together; it still has familiar characters and a functioning story with a beginning, middle, and end. It should also have a good amount of humor and wit, cleverly satirizing certain conventions with varying degrees of subtlety. Even classic authors such as Jonathan Swift and Mark Twain relied heavily on satire, on pointing out and exaggerating the flaws in institutions or certain types of literature. Well-made, entertaining parodies must do this to some extent as well. To use another example, I also wrote another parody in recent memory, a Christmastime poem blatantly imitating Dr. Seuss’s How the Grinch Stole Christmas. I largely filled it up with jokes, laughs, and cultural references, but I also based it on my own real-life experiences and tried to at least touch on a legitimate moral about the importance of family and fellowship. Even though it was lighthearted and fun, it wasn’t completely meaningless or devoid of serious significance. If you’re truly dedicated to writing fiction and serious about wanting to hone your craft and skills as a writer, then you’ll still put your best thought and effort and personal feeling into it at all times, even if you’re just practicing with a parody.
So, if you have the misfortune to be visited by writer’s block in the near future, or if you’re like me and you haven’t been able to find the opportunities for “serious” fiction lately, then I encourage you to try writing a parody of your favorite book, movie, or TV show. Figure out what sort of plot and character formula makes that story work, and play that up a lot in your parody. But also look for the flaws or ridiculous aspects in the work you’re imitating and be sure to exaggerate those for comedic effect. Consider what messages your use of satire will send, overtly or subtly, about the work or genre you’re imitating, or about life and the world as a whole. Don’t be afraid to play around and see what works for you, and as you continue to write, try to notice how your own storytelling style begins to develop and differ from that of the original author. Use this time and this opportunity to hone your skill and your own unique voice. And in the midst of it all, don’t forget to have some fun!